The paintings are as follows: Abraham and the Three Angels (welcoming strangers), The Liberation of St Peter (ministering to prisoners), Return of the Prodigal Son (clothing the naked), Christ healing the paralytic (visitation of the sick), Moses sweetening the waters of Marah (quenching the thirsty) and The feeding of the Five Thousand (feeding the Hungry).
The background to the Mercy painting relating to quenching the thirsty is as follows:
"When they came to Marah, they could not drink its water because it was bitter. (That is why the place is called Marah.) So the people grumbled against Moses, saying, "What are we to drink?"
"Then Moses cried out to the LORD, and the LORD showed him a piece of wood. He threw it into the water, and the water became sweet.
There the LORD made a decree and a law for them, and there he tested them. He said, "If you listen carefully to the voice of the LORD your God and do what is right in his eyes, if you pay attention to his commands and keep all his decrees, I will not bring on you any of the diseases I brought on the Egyptians, for I am the LORD, who heals you."
This series is an antidote to Valdes Leal's to hieroglyphs about death and judgement which would be seen on entry to the Hermandad de la Caridad. They proclaim the power of Christian virtue and show that by following these examples death need not be so fearsome a threat. The actions depicted prevent the deaths of the poor and unfortunate, while ensuring the death of the do-gooder himself will not lead to suffering.
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